NEWS: CHRIS ROBINSON BROTHERHOOD TO PLAY BIJOU THEATRE IN KNOXVILLE ON TUESDAY, JULY 28TH
CHRIS ROBINSON BROTHERHOOD TO PLAY BIJOU THEATRE IN KNOXVILLE ON TUESDAY, JULY 28TH
BETTY’S BLENDS: VOLUME TWO: BEST FROM THE WEST – NEW LIMITED EDITION LIVE ALBUM AVAILABLE NOW
“…a vintage rock vibe that’s at once quirky, trippy, soulful and downright magnetic.” – Rolling Stone
“Where else can you get tumbleweed guitar boogie laced with weird and otherworldly keys and words from one of rock’s finest mouths? In the freak fold that is the CRB, that’s where. These guys get onstage with no bullshit – no pretense – nuthin’ fancy – and they play their asses off. ” – Ghettoblaster Magazine
“Chris Robinson Brotherhood focus on experimentation over confining pop standards, proving that Robinson and company are not out to shape their music for anyone but themselves…they create a cohesive blend of spacey freak folk, ambitious Americana and classic stomping California rock.” – North Bay Bohemian
Who:
An Evening With…
CHRIS ROBINSON BROTHERHOOD
Chris Robinson (Lead vocals, guitar), Neal Casal (guitar, vocals), Adam Macdougall (keys, vocals),
Mark Dutton (bass, vocals) & Tony Leone (drums)
An Evening With…
CHRIS ROBINSON BROTHERHOOD
Chris Robinson (Lead vocals, guitar), Neal Casal (guitar, vocals), Adam Macdougall (keys, vocals),
Mark Dutton (bass, vocals) & Tony Leone (drums)
When:
TUESDAY, JULY 28
Show: 8PM
Where:
BIJOU THEATRE
803 S Gay St
Knoxville, TN 37902
(865) 522-0832
Tickets:
$20 // more info
About: Chris Robinson Brotherhood stops in Knoxville on Tuesday, July 28 for a headline performance at Bijou Theatre. The show comes in the midst of a summer tour in support of their new live album, Betty’s Blends, Volume Two: Best From The West, out now. The collection presents seven tracks from the band’s spring 2014 west coast tour that were recorded and mixed straight from the soundboard by legendary Grateful Dead archivist Betty Cantor-Jackson. It is a limited edition release via Robinson’s own label, Silver Arrow Records, with only 2000 copies available in each LP, CD and digital format.
The Chris Robinson Brotherhood made an immediate impact upon their boldly unconventional debut in early 2011. They would play close to 50 shows over nine weeks in California before ever leaving the Golden State. In fact, they’d wait until 2012 to truly introduce themselves nationally with the release of two sprawling studio albums: Big Moon Ritual (June 2012) and The Magic Door (September 2012), which showcase a freewheeling improvisational chemistry, but with songwriting depth to back it up. The band—Chris Robinson (Lead vocals, guitar), Neal Casal (guitar, vocals), Adam Macdougall (keys, vocals), Mark Dutton (bass, vocals) and Tony Leone (drums)—would further develop their identity as a self-defined “farm to table psychedelic rock band” over a 118-show stretch. Late 2013 saw the fruits of this labor forever captured on the first edition of the Betty’s Blends’ live series, S.F. Blends Volume 1, an eight-sided limited-edition vinyl release, which documented a glorious five night run the previous December at San Francisco’s famed Great American Music Hall.
Only momentarily content with their auspicious rise, the Brotherhood reconvened with producer Thom Monahan (Vetiver, Beachwood Sparks, Devendra Banhart) shortly thereafter to record yet another set of ten songs that would become the 2014 release, Phosphorescent Harvest. Where Robinson had been the primary instigator behind the 14 compositions that populated the band’s first two releases, this latest effort documents his burgeoning songwriting partnership with Neal Casal. It also finds The CRB refining its approach within the studio. The two previous studio recordings were for all intents and purposes cut live and released as tracked. For Phosphorescent Harvest, the band spent the better part of 2013 crafting a tried and true studio album. For many artists this would imply intentional neutering in the pursuit of commercial upside, but in Robinson and company’s hands, it meant utilizing the studio to harness their full sonic vision. Indeed, their expansive sense of space and texture has never been so fully realized until now. Casal expands on the process: “The approach was get to far out sonically, while retaining a certain focus on the central melody of each song. Psychedelia, sonic density, and expanded arrangements were the order of the day, but the songs are strong. This band is all about musical freedom. Boundary dissolving is our ideal. Boundary dissolving and a good ole’ Saturday night boogie.”
In an age when so many put their beliefs in trends, the Chris Robinson Brotherhood is committed to something deeper. In Robinson’s words: “We don’t make music that can sell iPads. Our music will not sell you a Prius. I like that. Writing songs has always led me to good things in my life. The songwriting saved me through the dark times, and the songwriting makes it that much sweeter when it’s good. Real success can only come in pursuit of an authentic sound. We’re all very committed to this music, beyond money and egos. That’s a unique place to be.”
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